
Backrooms added $2.1M on Day 24, lifting its US domestic total to $184.98M against a $10M budget.
Eighteen times budget already, yet the curve is bending downward.
The drop from $2.77M the prior day is the latest sign of contraction. Week-on-week the film is off 37% from Day 17, and the pattern across the last ten days shows progressively smaller weekday floors interrupted only by modest weekend rebounds.
| Day | US Domestic Add | Run |
|---|---|---|
| D20 | $1.84M | $175.97M |
| D21 | $1.70M | $177.67M |
| D22 | $2.47M | $180.14M |
| D23 | $2.77M | $182.91M |
| D24 | $2.10M | $184.98M |
At this stage the film has already cleared every realistic profitability threshold. The remaining question is how long it can hold screens before the daily add falls below $1M. Compared with Epic: Elvis Presley in Concert, which reached only $12.63M by the same point, Backrooms continues to outperform its low-budget peers by a wide margin.